Orhan Pamuk · 1990 · exile
The novel that made Pamuk's reputation, and the one he calls his most Istanbul. A lawyer comes home to find his wife gone and his famous columnist cousin missing on the same day, and spends a week walking the city reading the cousin's old columns as though they were clues - which they may be.
- 1Nisantasi
The Sehrikalp apartment building, where the whole extended family lives on different floors - and where Galip comes home one evening to find that his wife Ruya has left a nineteen-word note and gone.
- 2Sisli
The newspaper offices, where his cousin Celal writes a column read by the whole country and has also disappeared - and Galip starts reading thirty years of columns as though they were a set of directions.
- 3Beyoglu
The old Pera: cinemas, brothels, arcades and Alaaddin's shop, which Celal wrote a famous column about - and a man walking the city at night reading signs into everything, which is what the novel is.
- 4Galata
Under the tower, the underground workshop where Bedii Usta and his son made mannequins with Turkish faces and gestures that no shop would buy - the book's central image of a country wearing somebody else's expressions.
- 5The Bosphorus
Celal's column imagining the strait drained dry, and what would be found in the mud: Byzantine wrecks, Crusader galleys, Cadillacs, and gangsters at the bottom in the dark - the most famous chapter Pamuk has written.
- 6Nisantasi
Galip moves into Celal's flat, wears his dressing gown and starts writing his column - and by the end of a book about a man looking for two people, the question is whether anybody in it was ever himself.